![]() ![]() ![]() His films tend to be meditations on characters that do warped and horrible things, yet we care about the characters, because you feel that they are politically (and irrationally) motivated through their poor economic circumstances. Subsequently, Iglesia had made `Cannibal Man' and `Murder In A Blue World' (also known as `Clockwork Terror'), which were both exploitative B movies, hiding intelligent political ideas. ![]() When looking at Eloy de Iglesia's other works though, this hardly comes as a surprise. Eloy de Iglesia's lost rarity `Forbidden Love Game' would sit comfortably next to `Salo: 120 Days Of Sodom' as being a foreign, art house flick that borders on exploitation. ![]()
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